Showing posts with label Events. Show all posts
Showing posts with label Events. Show all posts

KENT WILLIAMS: CONVERGENCE - Tonight 8 pm



KENT WILLIAMS: CONVERGENCE

May 21-June 18, 2011  Opening Reception: Saturday, May 21, 8-11pm

Hosted by ALEX O’LOUGHLIN



 New Spring, 2011, oil on canvas, 48 x 72 in., 122 x183 cm. 



Merry Karnowsky Gallery
170 S. La Brea Ave.
Los Angeles, CA 90036
323.933.4408
 
My MFA painting mentor has a show tonight.
If you live in the Los Angeles area, you really should make a point to stop by.
He worked in graphic novels for years and his paintings must be seen in person. 

You can see more here.




ACE - Art Crawl Experience - Live Painting - This Saturday!


ACE - Art Crawl Experience 
I will be painting live at this event!

I will be working on a new skateboard deck,
so stop by and say hello!

This Saturday!
May 14th from 5pm until 10pm


Art, Music and Food
Art:Galleries, Museum, Artist Studio, Outdoor Art Installations, Live painters, Indie Arts and Craft Fair

Music: Stage at Lemon Street, traveling acoustic musicians, DJs.

Lemon Street Stage:
6pm-6:50pm Blues Bettie www.bluesbettie.com
7:10pm-7:50pm Big Black Novel www.bigblacknovel.com
7:55pm-8:35pm Lovers Drugs http://loversdrugs.com/
8:50-9:30pm The Kill Frequency

Carnegie Plaza Stage: Hosted by DJ Cowboy Dan
6:00pm-6:45pm The Potential Lunatics
7:00pm-7:45pm The Good Cousins
8:00pm-8:45pm Tristessa

Food: Food Truck Alley
The Flip Truck http://www.thefliptruck.com/
Rolling Sushi Van www.rollingsushivan.com
Spudrunners http://spudrunners.com/
Kogi BBQ http://kogibbq.com/
Oh For Sweets Sake! http://ohforsweetssake.com/




Exhibitor List:
ByFrancisFrank
Mirandom
Neoclassics by Richard Bao
Mae Mae Jewelry by Rheena Silver
Turin Designs by Adelina Arutunian
Sey Studios by Ashleymarie Sey Lively
Taco Comics
Maria Harrison
Ckay Art
JNGL
Asylm One
Angie Jones (Stix and Jones)
Lefty Joe Torres
Paula Oliva
Christopher Willingham
Tarikh Mizan
Vincent Sandoval
Andre Ajibade
Bene Encarnacion
Erick Rodriguez
Veronica Marshall
Diana Kohne
Genie Melisande
Jamie Villegas
Navia Alejandro
Greg Hardin
John Culqui
Carly Wise
Melissa Kojima
Steven Lopez
Phil Santos
James J. Peterson
Jeffrey Vincent Parise
Kimberly Kite
Hilary Bond
Nathaniel Osollo
Mayca Fernanda
Max Nuetra
Pablo Damas
Katherine A Taylor
Candace Hill
Don Brashear
Dino Perez
Rachel Relik
Viveca Mays
Natalia Duarte
Kathleen Kaplan
and more...

How far Would You Go To Pursue Your Dreams?



My friend Zero quit his job in CG, terminated his lease, sold everything he couldn't fit into his truck... and is now traveling cross country - living his life, taking photos and writing about it!!!

He is accepting activity challenges along the way.

In his words...
 I will go to places that people suggest I visit, do things that people suggest I do, and meet people that want to be met. And I will connect with people around the country.
I posted a challenge for Zero on his forums to help me here at my loft in Los Angeles with a creative project for my paintings.  I suggest you challenge Zero to come to your house and help you clean your bathroom, tap a cold keg of beer or make dinner for your mother-in-law.  It's up to you!!!

What a wonderful idea!  Everyone should follow what their spirit is telling them to do with their life.  Otherwise, you are living skitzophrenic days on this planet doing what other people think you should be doing.  Does that sound like fun?



Artwalk This Weekend


If you are looking for something to do this weekend?
Come to the The Brewery ArtWalk
Admission is free and so is parking.


Saturday and Sunday
11:00 AM- 6:00 PM: Artwalk

The Brewery ArtWalk is a biannual weekend open-house in the world’s largest art colony.  People actually open up their home and let you in to experience their creative spaces and work…and you can buy the work at studio prices!!!  Over 100 artists that live in the Brewery, their studio, participate.  This is a great place to discover new local artists – or old local artists that are new to you.  You can talk to the artists and buy work from the artists at studio prices!

I will have my studio open all weekend and be painting live for folks who come to visit.  bring your friends with cash and empty walls!  I am in bldg 1984 North Main Street #202, upstairs.  Tallest building at the front of the complex facing Main Street.  Stairs face Moulton Street.


Review: VFX Online Town Hall with Chris deFaria, Jeffrey Okun, Scott Ross



Review:  The introduction by Lee Stranahan was well versed and made some great points.  Most importantly, the top ten grossing films of all time grossed 11.5 billion dollars and are ALL VFX films.  And, not just a few shots - HEAVY VFX films.

So, Lee asks the question, "Why is it that we are in a world where VFX films are doing so well while VFX facilities and artists who work in them are struggling?" And the discussion begins.

The General consensus I heard was:

  • Scott Ross - We need a trade union to fight for facilities and artists both on labor issues and will the government.
  •  
  • Chris deFaria - The facilites need to create a new business model and stop treating themselves like a commodity.
  •  
  • Jeff Okun - The artists made their bed and now they need either lie in it or stand up and fight.  Artists! Stop taking jobs that offer such bad conditions.  Stop whining and do something about it.
I am really upset that the one person representing the artists, ended up blaming the artists for the current state of affairs.

Artists had nothing to do directly with the collapse of the economy, runaway production and overseas incentive programs or the very small P/L margins for VFX production.  It's absolutely outrageous to say artists - "You took the jobs, so stop complaining about it."  

Most VFX facilities change the rules on your employment daily.  If you do not believe me?  How many people out there have had their end date change from what was promised on a show?  Please reply in the comments.  (Just one example of rule changes..there are rate changes, job description changes, holiday changes, OT pay changes, 50 hour weeks which are against the law becoming standard, etc.).

When I got in CG/VFX in the early 1990's EVERYONE was stoked to be in the industry.  Even the old guys loved what they did.  The old guys I worked with were making a decent wage, staying employed, building savings, had insurance, were buying houses and starting a family.  I thought I was getting into a great field.  

Then, it all changed.  I talk about this in our book... 1994 was the beginning of the end for the VFX industry. 2D was dwindling and animated CG films started making A LOT of money.  VFX had always made money, and their budgets/profits tripled.  When big money like those box office profits come into play, the rules change. Chris deFaria makes the most important point - leverage.  We have absolutely no power without leverage.  The bottom line is India, China and the rest can try to catch up, but the artists who have been doing VFX for over 10-20 years are the ones creating innovation.  Compounding the problem is the overseas studios don't have the local talent to do the job and now import the seasoned artists at half the rate.  This is a very poor business model that will eventually implode.  This is also very differnt than what happened to 2D because of the nature of the work.  The less skilled work for 2D could be shipped overseas, but innovation stayed in the U.S.

In traditional circles, the tools changed very little over the course of 80 years - pencil and paper.  CG needs innovation to happen throughout production because of the technical aspects of what we do.  Innovation will not grow in an atmosphere based solely on low wage, unskilled labor.  Studios want innovation at a very low price.  This cannot work.  If studios want the best work possible, then they will have to value the facilities and their artists.  Until we are viewed as valuable to these blockbusters, we have no leverage.  The way to do this is for facilities to create a brand out of their studio and then the best work will go to that studio rather than the lowest bid.  In addition, an organization of individuals qualified to handle legal, labor and government lobbying to push this agenda forward is critical.  I believe the artists are willing to join such an organization, but are not qualified to form one.  We need qualified leaders to do so.

Okun mentioned several times that artists are just whining and not offering solutions.  I think plenty of artists have offered solutions like guilds, trade unions, requests to the VES to help, the town hall itself came out of artists writing to Lee to ask what is next.  The panelists also discussed how most VFX facilities were started and run by artists who knew very little about business or management.  NOW Okun says artists need to start a union themselves and fight.  What a mess.  What a very hot mess.

I do hope an artist will represent artists on the next panel to offer a real perspective of what is going on for the people actually clicking on a mouse.  In fact, I offer my services on the panel if they will have me.  I have ideas of others who would be great additions if not me.

I think the best part about the whole situation is... Unlike most labor issues, there is unified bond and goal for both VFX facilities and artists.  Help the facilities and you help the artists and vice versus.  This is ultimately a win-win situation.

I welcome your comments...




Creative Talent Network’s Animation Expo (CTN-X)


Have you registered for the Creative Talent Network’s Animation Expo (CTN-X)?
Early bird pricing ends September 30th.
The most anticipated animation trade show on the planet comes
to the City of Burbank beginning
Friday, November 20th – Sunday, November 22nd.

This is the ONLY place where you’ll meet so many animation industry icons under one roof.
Make contacts, learn new techniques and meet with recruiters.
Hurry and join in on the action where “X” marks the spot to connect with renowned
artists from around the world both traditional and digital.
Register online or call today (800) 604-2238.
Early bird deadline is Sept. 30, 2009.
CTN-X takes place at the Burbank Marriott Convention Center
with ample discounted parking and is conveniently located across the street
from the Burbank Airport and Amtrak Station.

Early bird tickets are $25 for the exhibit floor only,
$40 for a day pass and $100 for a 3-day pass.
Discounted rates are available to students, active military and
professional industry organizations.

Space is strictly limited at this groundbreaking event.
For more information and to register, please visit: www.ctnanimationexpo.com
or call, (800) 604-2238

Mention
the special FLIP discount code to obtain an extra
10% off any 1day or 3day professional/general passport. THINKX09




To register online:
1Day
https://www.regonline.com?eventID=688849&rTypeID=203785

3Day
https://www.regonline.com?eventID=688849&rTypeID=203787


Milt Kahl: The Animation Michelangelo


Dear Readers,
I apologize for being so absent. My new job has kept me quite busy, but I am coming up for air to tell you about this great event!!! I am HUGE Milt Kahl fan and the rest of the panel is definitely one you don't get to hear from every day!!! Hope to see you there!

As part of the Marc Davis Celebration of Animation,

the Academy presents a centennial celebration of

“Milt Kahl: The Animation Michelangelo”

Hosted by Andreas Deja.
Panel moderated by animation critic Charles Solomon.

Featuring Kathryn Beaumont, Brad Bird (F/V 76), Ron Clements, John Musker (F/V 77), and Floyd Norman.

Renowned for his unparalleled draftsmanship as well as his exacting nature, Milt Kahl (1909–1987), one of the “nine old men” Walt Disney relied upon to bring his creative vision to the screen, was the animator to whom the other eight turned when they had trouble with a character or scene.

Two of Kahl’s renowned colleagues, Frank Thomas and Ollie Johnston, write in Disney Animation:The Illusion of Life, “Unlike many irascible temperaments who have filled the halls of history, Milt had a very sweet helpful side, when he chose. He gave unstintingly of his time and talent when it was to help the picture and almost as often to help a fellow artist who had a problem. However, he expected everyone coming for help to have worked hard and tried everything – to have done his best before coming.”

Throughout the ’50s and ’60s, when Kahl was responsible for the final design of many characters, he complained of being “saddled” with the animation of challenging, non-comic human characters such as Alice, Peter Pan, Wendy, and Sleeping Beauty’s Prince. But Kahl secretly relished the fact that it was his talent and drive that made these characters come alive.

This celebration of Milt Kahl will feature an insightful analysis of his animation drawings, rare film interviews with Kahl himself, and clips of his work from such Disney favorites as “Mickey’s Circus,” “Pinocchio,” “Bambi,” “Peter Pan,” “Sleeping Beauty,” “The Jungle Book” and “The Rescuers.” The clips will be interspersed with commentary from those who worked beside him and were inspired by him, revealing the rigorous process and fiery personality of a true animation legend.

Panelists

ANDREAS DEJA, one of the top animators of his generation, brought to life characters as diverse as Gaston in “Beauty and the Beast,” Scar in “The Lion King,” and Lilo in “Lilo & Stitch.”

KATHRYN BEAUMONT was the voice artist for Alice in “ Alice in Wonderland” and Wendy in “Peter Pan.”

BRAD BIRD has won the Animated Feature Film Oscar® twice, for his work on “The Incredibles” and “Ratatouille.”

RON CLEMENTS and JOHN MUSKER served as co-directors and writers on “The Great Mouse Detective,” “The Little Mermaid,” “Aladdin,” “Hercules” and “Treasure Planet.”

FLOYD NORMAN preceded his lengthy television animation career with experience as an apprentice/assistant to Milt Kahl on “Sleeping Beauty,” “The Sword in the Stone” and “The Jungle Book.”

All guests subject to availability.

Event Information

When

Monday, April 27, at 7:30 p.m.
Doors open at 6:30 p.m.

Where

Samuel Goldwyn Theater
8949 Wilshire Boulevard
Beverly Hills , CA 90211

Directions, Parking & Theater Policies

All seating is unreserved.